PLAY
BROWSER-NATIVE · WEBGL2 · NOTHING TO INSTALL
A first-person shooter that ships no art assets at all. Every texture, every mesh, every animation and every sound is generated from code the moment you open the page.
Needs a WebGL2 browser and a few seconds to build the world on your GPU.
Backdrop: concept art — not actual gameplay
Concept art — not actual gameplay
THE WHOLE POINT
Most games ship gigabytes of authored content. This one ships a single JavaScript bundle. The concrete, the brick, the rusted steel, the soldiers, the weapons, the reverb on a gunshot in a stairwell — none of it exists until your GPU computes it at load time. That is also why the first load takes a moment, and why the download is smaller than a single photograph from most games.
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CAPTURED IN ENGINE
These are unedited screenshots from the running game, taken through the project's own capture harness. Nothing is concept art.
ELEVEN SUBSYSTEMS
An HDR pipeline built by hand, not assembled from examples. Cascaded shadow maps with texel snapping and contact hardening, a depth and velocity prepass, ground-truth ambient occlusion, temporal anti-aliasing with variance clipping, motion blur, a Karis bloom pyramid, GPU metering and an AgX composite.
A texture forge that runs on the GPU. Nineteen surfaces — concrete, brick, plaster, asphalt, sand, rusted and painted and brushed metal, wood, fabric, glass — with periodic noise so everything tiles, height-derived normals, parallax occlusion and curvature-driven edge wear.
No library. A binned-SAH bounding volume hierarchy, a swept-capsule character controller with a five-plane crease stack, impulse rigid bodies with continuous collision, position-based ragdolls and multi-layer bullet penetration.
Synthesised through the Web Audio API with no sound files at all. Layered weapon fire, convolution reverb, HRTF spatialisation and occlusion.
Atmospheric scattering with a time of day, environment maps generated at runtime, volumetric fog and light shafts.
Skinned soldiers with navmesh pathing, perception, cover behaviour and ragdoll deaths — the meshes and their textures generated like everything else.
WHERE IT CAME FROM
“I want you to build a first-person shooter at the level of the most recent Call of Duty games. It should be utterly perfect, visually beautiful, with every single thing done at AAA quality — from textures to physics to anything you could think of.”
Roughly 55,000 lines across eleven subsystems followed, written by a fleet of AI agents working against a shared engine contract, with a harsh visual critic looping on each subsystem until it passed. The full prompt and the harness that reviewed the output are both in the repository.
It is a single-player technical demo, and it is honest about that: there is no multiplayer, no matchmaking and no server. What there is, is a renderer you can read.